MEDIA GALLERY
"Musically it’s top-notch... Hayashi [is a] sharp-tongued fire."
The Spectator
Audio/VIDEO
"O placido il mare" from Hasse's opera Siroe.
"Spiel'ich die Unschuld vom Lande" from Die Fledermaus.
Excerpt: La Lucrezia HWV 145. | The Chaconne Ensemble: Sarah Hayashi, soprano; Angela Lobato, violoncello; Patrick Orlich, cembalo.
"Nacque al bosco" from Vivaldi's Il Giustino.
"Quel guardo il cavaliere" from Donizetti's Don Pasquale.
"Tornami a vagheggiar" from Handel's Alcina.
"Deh vieni, non tardar" from Le nozze di Figaro.
"C'en est trop... Quand l'aquilon fougueux" from Rameau's Dardanus.
"Falsa immagine" from Handel's Ottone.
Chaconne Ensemble: "Quel guardo sdenosetto" by Monteverdi.
Chaconne Ensemble: Händel's No se emdara jamas HWV 140.
Chaconne Ensemble: Händel's Sans y penser HWV 155.
"Losseaus Orlofsky und Sarah Hayashi, die das Dienstmädchen Adele rotzfrech als Girl aus der amerikanischen Gosse anlegt, ragen aus dem am Ende doch eher soliden Tableau heraus."
"Losseau's Orlofsky and Sarah Hayashi, who plays the maid Adele as a snotty girl from the from the American gutter, stand out from what is ultimately a rather solid tableau. "
Thüringer Allgemeine
PHOTO GALLERY
Promotional photos courtesy of Dirk Brzoska. Production photos courtesy of Lutz Edelhoff (Theater Erfurt) and Brigit Gufler (Innsbrucker Festwochen der Alten Musik).
"Sarah Hayashi verkörpert mit strahlendem Sopran die Doppel-Partie der Leocasta und der Fortuna und arbeitet darstellerisch die einerseits starke Göttin und andererseits die Frau, die immer wieder von Giustino gerettet werden muss, kontrastreich heraus."
"Sarah Hayashi embodies the double role of Leocasta and Fortuna with a radiant soprano and creates a rich contrast between the strong goddess on the one hand and the woman who has to be rescued by Giustino again and again on the other."